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Article 211-99 of the French Cinema and Moving Image Code

The following works are eligible for pre-production production support:1° They meet the general conditions laid down in sub-section 2 of section 1 of this chapter;2° They are original French-language works or, if at least two different languages are used, works in which French or a regional language in use in France is the language used most often. However, this condition does not apply in the case of fictional works taken…

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Article 211-101 of the French Cinema and Moving Image Code

The granting of aid is the subject of two decisions:1° A provisional decision accepting the principle of granting aid. To obtain this decision, the application must be submitted either by the author of the screenplay, the director or any other co-author of a cinematographic work, or by the delegated production company;2° A definitive award decision after setting the amount of aid. To obtain this decision, the application must be submitted…

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Article 211-102 of the French Cinema and Moving Image Code

A new application for support for the same project, from the same director or with the same director, will only be considered, after consultation with the co-chairmen of the relevant Selective Production Support Committee, if the project has been significantly reworked in terms of its writing, production conditions or financing arrangements. In any event, no more than three applications for support may be submitted for the same project, by the…

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Article 211-104 of the French Cinema and Moving Image Code

The provisional decision lapses if filming does not begin within a maximum of twenty-four months from the date of notification to the beneficiary. In exceptional circumstances and at the reasoned request of the production company, the aforementioned period may be extended for a period not exceeding one year, by decision of the President of the Centre national du cinéma et de l’image animée.

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Article 211-106 of the French Cinema and Moving Image Code

The Chairman of the Centre national du cinéma et de l’image animée may refer to the costing committee any substantial change in the conditions of production or realisation of a project. The costing committee may, if it considers it necessary, propose that the matter be referred again to the relevant committee.

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