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Article L251-5 of the French Cinema and Moving Image Code

Any distributor who, in his capacity as assignee or agent, has exploitation rights for the marketing of an audiovisual work in the genres of fiction, animation, creative documentary or audiovisual adaptation of a live performance and eligible for financial support for production from the Centre national du cinéma et de l’image animée must, within the first three months of the year following the year in which the work is first…

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Article L251-6 of the French Cinema and Moving Image Code

The form of the operating account, the definition of gross receipts and operating costs and the conditions under which the opposable commission is negotiated are determined by one or more professional agreements concluded between the representative organisations of producers of audiovisual works and, together or separately, the representative professional organisations of distributors of these works, the professional organisations representing television service publishers or a group of representative television service publishers,…

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Article L251-8 of the French Cinema and Moving Image Code

The obligations resulting from Article L. 251-5 do not apply to publishers of television services and publishers of on-demand audiovisual media services in respect of acquisitions of broadcasting rights or rights to make available to the public on the services that they publish in return for a fixed and definitive price.

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Article L251-9 of the French Cinema and Moving Image Code

The line producer transmits the operating account submitted to him in application of sub-section 1 of this section to the other co-producers, to the companies to which he is linked by a financing contract giving them a share in the operating revenue, to the authors listed in article L. 113-7 of the French Intellectual Property Code and, where applicable, to the publishers who have transferred the audiovisual adaptation rights for…

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Article L251-10 of the French Cinema and Moving Image Code

Where, for one or more of the modes of exploitation, the line producer directly exploits an audiovisual work, he shall draw up the corresponding exploitation account in accordance with sub-section 1 of this section. Within the time limits set out in Article L. 251-5 of this code, the line producer sends the operating account to the other co-producers, to the companies to which he is linked by a financing contract…

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Article L251-11 of the French Cinema and Moving Image Code

The Centre national du cinéma et de l’image animée may audit the operating account or have it audited by an independent expert. The purpose of this audit is to check the regularity and fairness of the account. The distributor or, in the case provided for in article L. 251-10, the line producer shall send the Centre national du cinéma et de l’image animée or the independent expert all the documents…

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Article L251-12 of the French Cinema and Moving Image Code

When there is a professional agreement made compulsory on the basis of article L. 132-25-1 of the Intellectual Property Code, providing in particular for the definition of the production cost of an audiovisual work belonging to the genres of fiction, animation, creative documentary or audiovisual adaptation of a live performance, the methods for its depreciation and net revenue, the Centre national du cinéma et de l’image animée may carry out…

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