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Chapter IIIa: Transparency of production and exhibition accounts for feature films

Article L213-24 of the French Cinema and Moving Image Code

Any producer who, in his capacity as line producer, has taken the initiative and financial, artistic and technical responsibility for the production of a feature-length cinematographic work eligible for financial support for production from the Centre national du cinéma et de l’image animée and whose successful completion he has guaranteed must, within eight months of the date of issue of the cinematographic licence, draw up and send the production account…

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Article L213-25 of the French Cinema and Moving Image Code

The form of the production account, the definition of the different categories of expenditure that make up the account and the nature of the means of financing are determined by a professional agreement concluded between the professional organisations representing producers of feature-length cinematographic works, the professional authors’ organisations and the organisations for the collective management of authors’ rights mentioned in Title II of Book III of Part One of the…

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Article L213-26 of the French Cinema and Moving Image Code

The co-production contract, the financing contract and the contracts concluded with the authors and with any other natural or legal person benefiting from a share of the receipts from the exploitation of the work, conditional on the amortisation of the production cost or determined according to the amortisation of certain elements of this cost, shall include a clause recalling the obligations resulting from Article L. 213-24.

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Article L213-27 of the French Cinema and Moving Image Code

The Centre national du cinéma et de l’image animée may, within three years of the date of issue of the cinematographic exhibition licence, audit the production account referred to in article L. 213-24 or have it audited by an independent expert. The purpose of this audit is to check the regularity and accuracy of the account. The line producer must provide the Centre national du cinéma et de l’image animée…

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Article L213-28 of the French Cinema and Moving Image Code

Any distributor who, in his capacity as assignee or agent, has exploitation rights for the marketing of a feature-length cinematographic work eligible for financial support for production from the Centre national du cinéma et de l’image animée must, within six months of the theatrical release, and then at least once a year for the duration of the contract with the line producer, draw up and send to the latter the…

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Article L213-29 of the French Cinema and Moving Image Code

The form of the operating account as well as the definition of gross receipts, operating costs and general operating costs are determined by a professional agreement concluded between the representative organisations of producers of long-term cinematographic works, the representative professional organisations of distributors of these works, the professional authors’ organisations and the organisations for the collective management of authors’ rights mentioned in Title II of Book III of Part One…

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Article L213-31 of the French Cinema and Moving Image Code

The obligations resulting from article L. 213-28 are not applicable to operators of cinematographic entertainment establishments, television service publishers or on-demand audiovisual media service publishers in respect of the acquisition of broadcasting rights or rights to make available to the public on the services they publish in return for a fixed and definitive price.

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Article L213-32 of the French Cinema and Moving Image Code

The line producer transmits the operating account submitted to him in application of sub-section 1 of this section to the other co-producers, to the companies to which he is linked by a financing contract giving them a share in the operating revenue, to the authors listed in article L. 113-7 of the French Intellectual Property Code and, where applicable, to the publishers who have transferred the audiovisual adaptation rights for…

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Article L213-33 of the French Cinema and Moving Image Code

Where, for one or more of the modes of exploitation, the line producer directly exploits a long-running cinematographic work, he shall draw up the corresponding exploitation account, in accordance with sub-section 1 of this section. Within the deadlines set out in article L. 213-28 of this code, the line producer must send the operating account to the other co-producers, to the companies to which he is linked by a financing…

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