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Title V: Pursuit of professions and activities in audiovisual production and distribution

Article L251-1 of the French Cinema and Moving Image Code

Any producer who, in his capacity as line producer, has taken the initiative and financial, artistic and technical responsibility for the production of an audiovisual work in the genres of fiction, animation, creative documentary or audiovisual adaptation of a live performance, eligible for financial support for production from the Centre national du cinéma et de l’image animée and whose successful completion he has guaranteed must, within six months of the…

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Article L251-2 of the French Cinema and Moving Image Code

The form of the production account, the definition of the different categories of expenditure, the nature of the means of financing and the methods of amortisation of the cost of production are determined by one or more professional agreements concluded between the professional organisations representing producers of audiovisual works and, together or separately, professional organisations representing distributors of these works, professional organisations representing television service publishers, or a group of…

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Article L251-3 of the French Cinema and Moving Image Code

The co-production contract, the financing contract and the contracts concluded with the authors and with any other natural or legal person benefiting from a share of the receipts from the exploitation of the work, conditional upon the amortisation of the production cost, shall include a clause recalling the obligations resulting from Article L. 251-1.

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Article L251-4 of the French Cinema and Moving Image Code

The Centre national du cinéma et de l’image animée may, within three years of the date of completion of the audiovisual work, audit the production account mentioned in article L. 251-1 or have it audited by an independent expert. The purpose of this audit is to check the regularity and accuracy of the account. The line producer must provide the Centre national du cinéma et de l’image animée or the…

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Article L251-5 of the French Cinema and Moving Image Code

Any distributor who, in his capacity as assignee or agent, has exploitation rights for the marketing of an audiovisual work in the genres of fiction, animation, creative documentary or audiovisual adaptation of a live performance and eligible for financial support for production from the Centre national du cinéma et de l’image animée must, within the first three months of the year following the year in which the work is first…

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Article L251-6 of the French Cinema and Moving Image Code

The form of the operating account, the definition of gross receipts and operating costs and the conditions under which the opposable commission is negotiated are determined by one or more professional agreements concluded between the representative organisations of producers of audiovisual works and, together or separately, the representative professional organisations of distributors of these works, the professional organisations representing television service publishers or a group of representative television service publishers,…

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Article L251-8 of the French Cinema and Moving Image Code

The obligations resulting from Article L. 251-5 do not apply to publishers of television services and publishers of on-demand audiovisual media services in respect of acquisitions of broadcasting rights or rights to make available to the public on the services that they publish in return for a fixed and definitive price.

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Article L251-9 of the French Cinema and Moving Image Code

The line producer transmits the operating account submitted to him in application of sub-section 1 of this section to the other co-producers, to the companies to which he is linked by a financing contract giving them a share in the operating revenue, to the authors listed in article L. 113-7 of the French Intellectual Property Code and, where applicable, to the publishers who have transferred the audiovisual adaptation rights for…

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Article L251-10 of the French Cinema and Moving Image Code

Where, for one or more of the modes of exploitation, the line producer directly exploits an audiovisual work, he shall draw up the corresponding exploitation account in accordance with sub-section 1 of this section. Within the time limits set out in Article L. 251-5 of this code, the line producer sends the operating account to the other co-producers, to the companies to which he is linked by a financing contract…

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