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Chapter III: Relations between cinema exhibitors and distributors of cinematographic works

Article L213-1 of the French Cinema and Moving Image Code

The Cinema Mediator is responsible for the prior conciliation of any dispute relating to : 1° Access to cinematographic works by exhibitors of cinematographic establishments and access to cinematographic works in cinemas, as well as, more generally, the conditions for the theatrical exhibition of these works, which originates from a de facto monopoly situation, a dominant position or any other situation the purpose of which is or may be to…

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Article L213-2 of the French Cinema and Moving Image Code

Within the framework of the missions listed in 1° and 2° of article L. 213-1, the Film Ombudsman may be approached by any natural person or legal entity concerned, by any interested professional or trade union organisation or by the Chairman of the Centre national du cinéma et de l’image animée. It may also take up any matter within its remit on its own initiative.

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Article L213-5 of the French Cinema and Moving Image Code

Each year, the Film Ombudsman examines the implementation of programming commitments made in application of 1° and 2° of article L. 212-23. He may obtain any additional information he deems useful. As part of this review, it makes observations and recommendations which are forwarded to the Chairman of the Centre national du cinéma et de l’image animée.

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Article L213-6 of the French Cinema and Moving Image Code

The Film Ombudsman refers to the Autorité de la concurrence any practices prohibited by articles L. 420-1, L. 420-2 and L. 420-5 of the French Commercial Code that come to his attention in the film distribution sector. This referral may be made under an emergency procedure, in accordance witharticle L. 464-1 of the French Commercial Code. The mediator may also refer any competition-related matter to the Autorité de la concurrence…

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Article L213-9 of the French Cinema and Moving Image Code

The concession of public performance rights for a long-running film for which the cinematographic licence was issued less than five years ago may only be granted to a cinema operator in return for a proportional share of the film’s box office receipts. However, in respect of a specific cinema, the concession may be granted subject to the stipulation of a price fixed in advance when the operator of the cinema…

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