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Article L213-33 of the French Cinema and Moving Image Code

Where, for one or more of the modes of exploitation, the line producer directly exploits a long-running cinematographic work, he shall draw up the corresponding exploitation account, in accordance with sub-section 1 of this section. Within the deadlines set out in article L. 213-28 of this code, the line producer must send the operating account to the other co-producers, to the companies to which he is linked by a financing…

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Article L213-34 of the French Cinema and Moving Image Code

When a contract for the transfer of broadcasting rights for a cinematographic work to a television service publisher provides for additional remuneration based on the results of the exhibition of this work in cinemas, the line producer must attach to the transmission of the exhibition account provided for in articles L. 213-32 and L. 213-33 the information relating to the payment of this remuneration.

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Article L213-35 of the French Cinema and Moving Image Code

The Centre national du cinéma et de l’image animée may audit the operating account or have it audited by an independent expert. The purpose of this audit is to check the regularity and accuracy of the account. The distributor or, where applicable, the line producer sends the Centre national du cinéma et de l’image animée or the independent expert all the documents or evidence required to carry out the audit….

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Article L213-36 of the French Cinema and Moving Image Code

When a professional agreement, made compulsory on the basis of Article L. 132-25 of the Intellectual Property Code, as it stood prior to Law 2016-925 of 7 July 2016 on the freedom of creation, architecture and heritage, or Article L. 132-25-1 of the same code, provides in particular for the definition of the production cost of a feature-length cinematographic work, the terms and conditions of its depreciation and net revenues,…

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Article L214-1 of the French Cinema and Moving Image Code

The following are subject to the provisions of this chapter : 1° Public ticket sales organised on an exceptional basis by associations and other legally constituted groups acting on a not-for-profit basis; 2° Private screenings organised by associations and similar bodies authorised to disseminate culture through the cinema; 3° screenings organised by associations and bodies whose purpose is the collection, conservation, restoration and dissemination of film heritage; 4° screenings organised…

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Article L214-2 of the French Cinema and Moving Image Code

The organisations mentioned in Article L. 214-1 may organise the screenings listed in 1° of this article, which consist of the showing of long-running cinematographic works, for a limited number of screenings, determined per year and per association or group, set by decree. This decree also sets the conditions under which this limit may be waived for associations and groups whose exclusive purpose is to contribute to the development of…

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