Article 311-71 of the French Cinema and Moving Image Code
The investment for the preparation of the sums entered in the automatic audiovisual production account is subject to the issue of a payment authorisation.
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The investment for the preparation of the sums entered in the automatic audiovisual production account is subject to the issue of a payment authorisation.
The production company has a period of three years from notification of authorisation for payment to obtain prior authorisation.Failing this, the Chairman of the Centre national du cinéma et de l’image animée may decide, depending on the progress of the project and the proof of expenditure provided by the production company, either to request repayment of the aid already paid or to waive repayment of all or part of it.In…
Only the following expenditure directly allocated to the preparation of the work, excluding the production company’s own operating expenditure, is eligible for investment of the sums entered in the audiovisual production account:1° Remuneration paid to authors, including, where applicable, the authors of the original work;2° Expenditure on the acquisition of literary and artistic rights, including, where applicable, the purchase of rights to archive images;3° Salaries and remuneration of personnel collaborating…
Preparation grants are allocated up to a maximum of 40% of the sums available at the beginning of the current year in the automatic audiovisual production account.
For a single audiovisual work, the amount of the sums invested may not exceed 40% of the amount of the preparation expenses and may not exceed €100,000. For audiovisual works belonging to the fiction genre, the 40% limit is raised to 60% when the sums are invested in the absence of a writing or development agreement with a television service publisher. For audiovisual works belonging to the animation genre that…
Automatic preparation aid is considered an integral part of the financing of the work when it goes into production.
For works belonging to the genre of audiovisual adaptation of a live performance involving exceptional groupings of artists for a particular performance or consisting of the compilation of extracts from several live performances, automatic financial assistance shall be awarded after consulting the specialised committee responsible for awarding selective grants, in order to ensure the heritage vocation of these works.Automatic financial assistance may only be awarded for a single audiovisual adaptation…
In the event of a dispute or difficulty of interpretation as to whether an audiovisual work belongs to a particular genre, the President of the Centre national du cinéma et de l’image animée may consult the specialised committee responsible for awarding selective grants.
Selective financial aid is awarded to production companies that do not hold an automatic audiovisual production account for the production of audiovisual works that belong to one of the following genres: 1° Fiction; 2° Animation; 3° Creative documentary; 4° Audiovisual adaptation of a live performance. However, this aid is not granted for the production of unitary audiovisual works lasting one hour or less, with the exception of works belonging to…
Selective financial aid is also awarded to production companies, whether or not they hold an automatic audiovisual production account, for the production of audiovisual works in the following genres: 1° Creative documentaries. Eligible creative documentaries are those that: a) Are financed by an hourly contribution in cash from one or more television service publishers or one or more on-demand audiovisual media service publishers, meeting the conditions laid down in 1°…
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is a Registered Trademark of
PETROFF LAW FIRM (SELARL LEGASTRAT)
182, rue de Rivoli
75001, Paris France
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Paris Bar Registration n° (Toque) C2396
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