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Article R212-22 of the French Cinema and Moving Image Code

The application for approval of a programming group or agreement is sent to the President of the Centre national du cinéma et de l’image animée.This application must be accompanied by:1° The group’s articles of association or the agreement setting up the cartel;2° The programming contracts signed between the group and the exhibitors of cinemas that are members or between the members of the cartel;3° The programming commitments that the group…

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Article R212-26 of the French Cinema and Moving Image Code

The holder of the authorisation must notify the President of the Centre national du cinéma et de l’image animée of any change in the composition, articles of association or constituent agreement of a programming group or agreement within a period of no more than fifteen days, and the Centre national du cinéma et de l’image animée will issue an amending authorisation under the conditions set out in this sub-section.

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Article R212-28 of the French Cinema and Moving Image Code

Each year, the President of the Centre national du cinéma et de l’image animée draws up a list of approved programming groups and agreements as well as the cinemas that are members.Any interested party may, on request, obtain the articles of association or constituent agreements of approved programming groups and agreements.

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Article R212-30 of the French Cinema and Moving Image Code

The following are subject to approval by the President of the Centre national du cinéma et de l’image animée: 1° Programming commitments signed with a view to their approval by programming groups and agreements; 2° Programming commitments that operators of cinemas mentioned in II of article L. 212-24: a) For all establishments with at least six cinemas; b) For their other establishments which together account for at least 25% of…

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Article R212-31 of the French Cinema and Moving Image Code

In order to be approved, programming commitments must contribute to: 1° Encouraging the exhibition and promotion of European cinematographic works and cinematographic works that are not widely distributed, in particular by reserving them a significant share of cinemas; 2° Guaranteeing pluralism in the cinematographic distribution sector, in particular by encouraging the maintenance of a diversified network of distribution companies and the broadcasting of arthouse cinematographic works; 3° Guarantee the diversity…

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