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Article D212-81 of the French Cinema and Moving Image Code

The computerised systems shall record all information relating to ticket receipts for the cinemas in which they are installed.Where a cinema operator is forced to use printed tickets in the event of a breakdown preventing the use of its computerised system, it shall reinstate as soon as possible in the computerised system all operations relating to the issue of admission rights carried out manually during the breakdown. In the meantime,…

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Article D212-82 of the French Cinema and Moving Image Code

Computer tickets and dematerialised admission rights may be created outside the ticket offices of the cinematographic establishments to which they give access, provided that they are registered, at the time of issue, in the computerised ticketing system of these establishments.Computer tickets are only edited and printed at the time they are given to the spectator.

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Article D212-83 of the French Cinema and Moving Image Code

Computer tickets and dematerialised admission rights are issued in “immediate entry” or “pre-sale” mode under the following conditions: 1° Immediate entry sales concern tickets issued in the period immediately preceding the screening. It is up to the cinema operator to define, for each screening, the moment at which the system switches to immediate entry sales, which must occur between one and a half hours before the start of the screening;…

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Article D212-85 of the French Cinema and Moving Image Code

At the end of each cinema showing, the operators of cinematographic entertainment establishments draw up a statement including, in addition to the title of the work or works or cinematographic or audiovisual documents making up the cinema programme, for each category of tariff, the following information: 1° The number of the first admission ticket issued; 2° The number of the first admission ticket to be issued for the following screening;…

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Article D212-86 of the French Cinema and Moving Image Code

At the end of each cinematographic week, operators of cinematographic entertainment establishments draw up a statement of pre-sales including, for each cinematographic screening that has been the subject of a pre-sale during the said week, in addition to the title of the work or the main cinematographic or audiovisual document making up the cinematographic programme, the date and time of the screening concerned, for each price category, the following information:…

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Article D212-88 of the French Cinema and Moving Image Code

At the end of each cinematographic week, operators of cinematographic entertainment establishments draw up a revenue declaration form based on a model approved by the Centre national du cinéma et de l’image animée (National Centre for Cinema and the Moving Image) or create a file in lieu thereof containing, for each of the establishment’s active cinemas, for each cinematographic programme represented and for this programme as a whole, the following…

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Article D212-89 of the French Cinema and Moving Image Code

Within five days of the end of each cinema week, the receipts declaration form or the file used in its place shall be sent to the Centre national du cinéma et de l’image animée, to the distributors concerned and to the Société des auteurs, compositeurs et éditeurs de musique.However, the Centre national du cinéma et de l’image animée may take responsibility, instead of the cinema operators, for sending the information…

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Article R213-1 of the French Cinema and Moving Image Code

The Film Ombudsman is appointed, after consultation with the Competition Authority, by decree on the report of the Minister for Culture and the Minister for the Economy, for a renewable term of four years. He is chosen from among the members of the Conseil d’Etat, the Cour de Cassation or the Cour des Comptes.

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